Spotlight on Reviews

**** Recommended ****  I can’t remember the last time I saw, Henrik Ibsen’s 1879 classic, “A Doll’s House” – maybe when I was in college.  At the time, I remember thinking that the story line was totally out of touch.  Flash forward to 2019, Writers Theatre, and Sandra Delgado’s fresh modern adaptation.  With the #metoo movement, Ibsen’s play about the powerlessness of women is once again relevant.  4 Spotlights

****HIGHLY RECOMMENDED**** Lyric Opera of Chicago has launched their 65th season with a massively entertaining production of Rossini's "The Barber of Seville." While this may be the 16th time that Lyric has presented this work -- it was featured as the second opera of their inaugural season -- it is only the first time that long-time Music Director Sir Andrew Davis has actually conducted it here.  And that's significant. With him on the podium there is clearly no doubt that the pacing will consistently and perfectly drive the frivolity forward. From the iconic and instantly-recognizable overture to the delightfully ebullient finale Davis expertly guides this production.  Add in the first-rate cast and incredible design elements and the result is as nearly perfect a version of this opera that you will ever have the pleasure to experience.  4 BIG SPOTLIGHTS

**** Highly Recommended **** I think everyone must have had the feeling sometime – you wish you could be a fly on the wall and see/hear what’s going on in that room.  With his brilliant drama, “Five Presidents”, Playwright Rick Cleveland has allowed all of us to get a glimpse of the things presidents and former presidents say to each other when they’re alone.  It’s a fascinating look into history in a kinder, gentler time in American history.  “Five Presidents” should be a must-see on everyone’s calendar.  4 BIG Spotlights

*** Recommended *** “King Hedley II”, the ninth play (1985) in August Wilson’s Pittsburgh cycle.  You know that quote about “…the worst of times” – I think it applies to “King Hedley II”.  Supply side economics and the trickle down theory didn't work very well in Pittsburgh's black community. This bleak story, a true tragedy, is the probably the darkest in the series.   Although it’s beautifully acted, I was in no mood for cheerful chatter when I walked out of the Court Theatre.  3 Spotlights