Other Professional Theater Reviews

★★I truly do not enjoy using a rating system for a new work. As many of us know, Chicago gets many pre-Broadway shows that leave here looking like a short run is in store, but with fixes, the show survives and often plays for years there and on the road. Some plays return to their original starting theater unrecognizable to us. The new production of “Grace, Or The Art of Climbing” written by L.M.Feldman, a “Queer”, feminist playwright (and circus artist) tells us a story about Emm ( Alex Molnar is terrific, except for projection to the back row) who due to some bad stuff decides to enter the world of competitive rock-climbing. note: who even knew that there was such a thing?

**** Highly Recommended **** As a long-time fan of Hubbard Street Dance, I try to see every series, and I have never been disappointed. The artistry, strength and grace that the dancers bring to the choreography is world-class, the choreographers are inventive and original, and lighting, sound and costume always complement and enhance the work. At the beginning, I always marvel that humans can achieve such feats of athleticism and discipline of their bodies and minds. But tonight's performance was truly breath-taking.

Highly Recommended **** Most of us grew up on Boris Karloff in “Frankenstein”, a tale of a Doctor who desires to recreate man from the dead. What Lookingglass Theatre is now presenting is a whole new look at “the monster” as told by Mary Shelley. This is a version that many will be surprised by. David Caitlin has adapted this book to fit the Lookingglass mode of creating stories that are physical as well as mental. Caitlin also directs this powerful story. Lookingglass patrons know that every time you enter the “black box” venue, you will see a different configuration. This one is in the round, so to speak, with audience members sitting on all four sides and the action taking place on a platform of sorts in the center of the room.

I had intended to review "Bloomsday" myself, but traffic got in the way. There was a Cubs game at 7:15 on opening night. Knowing that, I left Munster at 5:15 for Remy Bumppo's 7:00 pm curtain, but traffic on LSD was horrendous. I got to Theater Wit about 10 minutes late, and of course they couldn't hold the curtain. I saw the second act, which I really enjoyed, but I didn't think it was fair to write a review without seeing both. Thanks to my friend Al Bresloff, I'm able to offer a full review. Carol