Under the leadership of Marilyn F. Vitale Artistic Director Avery Willis Hoffman and Executive Director Angel Ysaguirre, Court Theatre is proud to announce its 72nd season. As America marks 250 years of nationhood, Court Theatre, as Chicago’s premier stage for classic work, responds with a season that examines our shared pursuit of Life and Liberty.
The 2026/27 season will feature the American premiere of Winsome Pinnock’s Tituba, set in colonial Salem against the backdrop of the infamous witch trials, directed by Associate Artistic Director Gabrielle Randle-Bent, with dramaturgy by Avery Willis Hoffman, performed at the University of Chicago’s iconic Rockefeller Memorial Chapel. Following Tituba, we move to twentieth-century Pittsburgh one last time as Resident Artist Ron OJ Parson directs August Wilson’s masterwork, Joe Turner’s Come and Gone, bringing his staging of the August Wilson American Century Cycle at Court Theatre to a triumphant conclusion. We then proudly feature Luis Alfaro’s Mojada, a blistering reimagining of the Greek classic Medea, as a testament to twenty-first century immigrant life in Chicago, produced in partnership with Teatro Vista Productions and directed by Wendy Mateo and Denise Yvette Serna. The season concludes with safronia, an epic new opera that highlights a family’s fight for justice across generations, created by inaugural Chicago Poet Laureate avery r. young and directed by Timothy Douglas.
Court Theatre’s 72nd season is an exploration of Life, Liberty, and the Pursuit. America is at an undeniable inflection point. We, as a set of complex communities, are reexamining our systems and very ways of being, challenging long-held beliefs, and asking urgent questions. Theatre—which we believe to be a foundational pillar of civic discourse—helps us to find new pathways through complicated times. The 2026/27 season peers deep into the heart of distinctly American stories—with all their nuance, contradictions, and beauty—and reaffirms the crucial resilience of the classics.
Marilyn F. Vitale Artistic Director Avery Willis Hoffman shares, “As our country passes a historic milestone, Court’s 2026/27 season works towards demonstrating theatre’s place at the center of civic life. Our art form has historically offered fresh perspectives, inspired spirited discourse, and created unique and shared experiences that help us better understand each other and ourselves. In this moment of intense reflection, we are re-committing to this complicated, but basic, mission, all of which feels increasingly urgent, and getting to the heart of how theatre can make a real impact. In my first full season as the new Marilyn F. Vitale Artistic Director, I am proud that Court is leading these conversations.”
Executive Director Angel Ysaguirre adds, “The 2026/27 season affirms that American stories are varied, complex, and beautiful, and it has something for everyone. From Resident Artist Ron OJ Parson’s historic completion of the August Wilson Century Cycle, to a new opera, to a national premiere, to a Chicago-specific adaptation, this season stretches our expectations and expands the boundaries of our art form. This is exciting for us, our audiences, and the artists we’re working with—some of whom we’re thrilled to welcome to Court’s stage for the first time. We can’t wait to present a season that is as varied, complex, and beautiful as the America outside our doors.”
The first production in Court Theatre’s 2026/27 season begins in December 2026, markedly later than years past, and will take place offsite at the University of Chicago’s Rockefeller Memorial Chapel. Court’s Abelson Auditorium will be dark for the summer and fall of 2026 as we modernize our lighting equipment and implement a new fall protection system. These changes will create a safer working environment for theatre technicians, and provide necessary and exciting updates to our intimate house.
Photo: Gabrielle Randle-Bent (Joe Mazza), Avery Willis Hoffman (Joe Mazza), Ron OJ Parson, Wendy Mateo, Denise Yvette Serna, avery r. young (Sulyiman Stokes), and Timothy Douglas (D’Ambrose Boyd).
The 2026/27 Court Theatre Season Up Close:
AMERICAN PREMIERE
TITUBA
By Winsome Pinnock
Directed by Associate Artistic Director Gabrielle Randle-Bent
Dramaturgy by Marilyn F. Vitale Artistic Director Avery Willis Hoffman
Limited Engagement at Rockefeller Memorial Chapel
December 2026, dates to be announced
Performed in the hallowed halls of the University of Chicago’s Rockefeller Memorial Chapel, the 2026/27 season opens with the American premiere of Tituba—a theatrical experience that offers a new lens on pre-Revolutionary War America through spiritually charged language, music, and dance.
In this solo performance, Tituba—the real-life person accused in the Salem witch trials of 1692 and featured in Arthur Miller’s classic The Crucible—invites the audience to journey through her mystical world to hear her side of the story. With care and wry humor, she details her history with the girls in Salem Village, her beloved mother and husband, Reverend Parris’s rage, the violence of enslavement, and her unspoken indigenous name, building to a scathing climax and the ignition of historic mass hysteria.
Set against the backdrop of the institution that accused Tituba centuries ago, Associate Artistic Director Gabrielle Randle-Bent directs, with dramaturgy by Marilyn F. Vitale Artistic Director Avery Willis Hoffman. Together, they bring Tituba’s life story to light in a sacred place, uplifting her voice and showcasing the transformational power of storytelling.
JOE TURNER’S COME AND GONE
By August Wilson
Directed by Resident Artist Ron OJ Parson
January 8 - February 7, 2027
More than twenty years in the making, Resident Artist Ron OJ Parson completes a defining chapter of his artistic legacy. With Joe Turner’s Come and Gone, Parson completes August Wilson’s American Century Cycle and joins an elite circle of directors who have staged all ten plays at the same theatre.
It is 1911, and Harold Loomis and his daughter, Zonia, have been on the road for years, searching for Zonia’s mother and, unbeknownst to Harold, chasing his forgotten song. Their journey leads them to Seth Holly’s boardinghouse, where they meet Holly, his wife, and fellow boarders who, like them, are in relentless pursuit of love, identity, freedom, and purpose.
Wilson’s iconic, evocative prose and vivid characters shine in this portrayal of a nation haunted by slavery, with spirits around every corner and no escape in sight.
Ron OJ Parson’s residency is made possible by The Joyce Foundation.
MOJADA
By Luis Alfaro
Directed by Wendy Mateo and Denise Yvette Serna
Presented In Partnership with Teatro Vista Productions
March 12 - April 11, 2027
An adaptation of an ancient classic tale of revenge, sacrifice, and the high price of pursuing freedom, Mojada renders Euripides’s Medea myth urgently and achingly alive in the city of Chicago.
Medea survived a treacherous journey from Mexico to the United States in search of a better life, but the promise of the American Dream is quickly unravelling. She sews exquisite garments in her backyard, suffocated by fear. Her son sheds tradition as fast as he can, trading huaraches for Vans. And her husband grows distant, seduced by ambition and proximity to power. Trapped between who she was and who America demands she become, Medea finds herself in a standoff with the very dream she risked everything to reach.
Co-directed by Teatro Vista Productions' Artistic Director Wendy Mateo and Artistic Collective member Denise Yvette Serna, Mojada confronts the contradictions at the center of American identity: opportunity and erasure, belonging and betrayal. Both a love letter and a searing indictment, this electrifying production asks: What are we willing to sacrifice in the pursuit of liberty?
safronia
Written, composed, and scored by avery r. young
Directed by Timothy Douglas
May 14 - June 13, 2027
An extraordinary new opera from inaugural Chicago Poet Laureate avery r. young, safronia blends gospel, blues, funk, folklore, poetry, and history to tell a tale of triumph and trauma, ownership and loss. Banished from their land, the Booker family is deadset on reclaiming what’s theirs and granting their patriarch’s last wish. But one final reckoning remains: safronia must avenge her father’s death.
safronia is an epic poem told through the vibrant music of the hundreds of thousands who journeyed to Chicago during the Great Migration—and a revelatory conclusion to the 2026/27 season. It celebrates the sonic legacy of artists like Curtis Mayfield, Nina Simone, and Oscar Brown Jr., and completely reimagines the scope of the American classical music landscape.
After mounting a concert-style performance at Lyric Opera, composer avery r. young and director Timothy Douglas bring a fully realized production to Court’s intimate venue, promising an evening that shimmers, soars, and binds us in a communal American history.
safronia was workshopped and commissioned by Lyric Opera of Chicago, with its world premiere concert-style production at Lyric Opera House on April 17-18, 2026.
Subscription Information
Three and four-play subscriptions to Court’s 2026/27 season range from $120 to $300 and are on sale now. Please note, seating at Rockefeller Memorial Chapel is general admission; subscribers will receive access to the preferred section. To purchase a subscription or to receive more information, call the Court Theatre Box Office at (773) 753-4472, or visit Court’s website at www.CourtTheatre.org. Individual tickets for Tituba will go on sale September 1st. Individual tickets for all other productions will go on sale October 1st.
About the Artists
WINSOME PINNOCK (Tituba Playwright) is a recipient of the 2022 Windham-Campbell Prize. She was born in Islington, North London, and is an award-winning playwright and dramaturg. Her work has been produced on the British stage and internationally since 1985. She was the first black British female writer to have a play produced by the Royal National Theatre. Winsome was Associate Professor in Drama at Kingston University from 2005 to 2019, and was Senior Visiting Fellow at Cambridge University. She has worked as a dramaturg with the Royal National Theatre’s New Views scheme as well as with the Royal Court’s International Department. The prizes awarded to her work include the George Devine Award, The Pearson Plays on Stage Award and the Unity Theatre Trust Award.
GABRIELLE RANDLE-BENT (Tituba Director, Associate Artistic Director) is a mother, director, dramaturg, and scholar. Her directorial highlights include A Raisin in the Sun; Antigone; The Island; and The Tragedy of Othello, The Moor of Venice (co-directed with Charles Newell) at Court Theatre; 1919 (Steppenwolf); and The Year of Magical Thinking (Remy Bumppo). She is a co-founder of the Civic Actor Studio, a leadership program of the University of Chicago’s Office of Civic Engagement. She has a BA in Drama from Stanford University, an MA in Performance as Public Practice from the University of Texas at Austin, and a PhD from Northwestern University.
DR. AVERY WILLIS HOFFMAN (Tituba Dramaturg, Marilyn F. Vitale Artistic Director) is proud to join Court Theatre. Avery recently served as inaugural Artistic Director, Brown Arts Institute and Professor of the Practice of Arts and Classics at Brown University. Over the last two decades, she has curated multidisciplinary projects as inaugural Program Director at Park Avenue Armory, led content development for the Smithsonian’s National Museum of African American History, managed Avery Productions, and produced multiple artistic collaborations with director Peter Sellars. A Marshall Scholar, Avery earned a DPhil and MSt in Classical Languages and Literature from Oxford, and a BA in Classics and English from Stanford.
AUGUST WILSON (Joe Turner’s Come and Gone Playwright) authored Radio Golf, Joe Turner’s Come and Gone, Ma Rainey’s Black Bottom, The Piano Lesson, Seven Guitars, Fences, Two Trains Running, Jitney, King Hedley II, and Gem of the Ocean. Mr. Wilson’s works garnered many awards, including Pulitzer Prizes for Fences (1987) and for The Piano Lesson (1990); a Tony Award for Fences; Great Britain’s Olivier Award for Jitney; as well as seven New York Drama Critics Circle Awards for Ma Rainey’s Black Bottom, Fences, Joe Turner’s Come and Gone, The Piano Lesson, Two Trains Running, Seven Guitars, Jitney, and Radio Golf. He was an alumnus of New Dramatists, a member of the American Academy of Arts and Sciences, a 1995 inductee into the American Academy of Arts and Letters, and on October 16, 2005, Broadway renamed the theatre located at 245 West 52nd Street, The August Wilson Theatre. Mr. Wilson was born and raised in the Hill District of Pittsburgh, Pennsylvania, and was posthumously inducted into the Theater Hall of Fame in 2007.
RON OJ PARSON (Joe Turner’s Come and Gone Director, Resident Artist) is Resident Artist at the Tony Award-winning Court Theatre. Credits include East Texas Hot Links, The Lion in Winter, Arsenic and Old Lace, and Two Trains Running at Court Theatre; HYMN (Chicago Shakespeare Theater); Twisted Melodies (Northlight Theatre); Toni Stone (Goodman); Trouble in Mind (TimeLine Theatre); Relentless (TimeLine and Goodman); and The Reclamation of Madison Hemings (Indiana Repertory Theatre). Ron received a 3Arts Make a Wave grant in 2021, the 2022 Zelda Fichandler Award, a University of Chicago Diversity Award, many Jeff Awards and Black Theatre Alliance Awards, the LA NAACP Award for Jitney; he is a Joyce Foundation grantee, and was named Chicagoan of the Year for Theater by the Chicago Tribune. Ron is a proud member of AEA, SAG-AFTRA, and SDC. www.ronojparson.net.
LUIS ALFARO (Mojada Playwright) is a Chicano playwright, poet, and performance artist born and raised in downtown Los Angeles. He is the 2024 World Theatre Artist for Theatre Communications Group (TCG) and the recipient of the 2024 award in literature from the American Academy of Arts & Letters. He was the Associate Artistic Director of Center Theatre Group at the Music Center of Los Angeles County (2021-2022, 1995-2005), home of the Mark Taper Forum, and the Ahmanson and Kirk Douglas Theaters, where he produced over one hundred and fifty new play commissions, productions, workshops, and readings. His plays include Aztlan, Earlimart, The Travelers, Electricidad, Oedipus El Rey, Mojada, Delano, Body of Faith, Alleluia the Road, Black Butterfly, Bruja, and Straight as a Line. He was a student of the playwright Maria Irene Fornes, performance artist Scott Kelman, and a product of the Inner-City Cultural Center in downtown Los Angeles.
WENDY MATEO (Mojada Co-Director) is the Artistic Director of Teatro Vista Productions, and an actor, writer, director, and filmmaker. Mateo has been seen on stages throughout Chicago, including at Lookingglass Theatre, where she is an ensemble member. Mateo's directing credits include the play Not for Sale 2.0 by Guadalis del Carmen at UrbanTheater Company, ¡Bernarda! By Emilio Williams at Teatro Vista Productions and the upcoming world premiere of The Brief and Wondrous Life of Oscar Wao at Goodman Theatre. On television and film, Mateo can be seen on Chicago Med, as Ronnie in Station Eleven, and in Steve McQueen’s Widows. As a filmmaker, Wendy has written and produced three short films including the latest, Hair, written and directed by Lorena Diaz and Wendy Mateo.
DENISE YVETTE SERNA (Mojada Co-Director) is an award-winning theatre practitioner in Chicago, Illinois. Credits include productions and new play development with Teatro Vista Productions, Lyric Opera of Chicago, MCA Chicago, Goodman Theatre, Steppenwolf Theatre Company, The Neo-Futurists, Paramount Theatre, Bramble Theatre Company, Strawdog Theatre Company, Prop Thtr, and Global Hive Laboratories. Denise has facilitated international workshops, productions, readings, fundraisers, panels, and festivals to promote activism for racial equity, accessibility, climate justice, gender based violence, immigration, literacy, community collaboration, and collective joy. deniseyvetteserna.com.
avery r. young (safronia Playwright, Composer, and Librettist) is Chicago’s inaugural Poet Laureate, American Poet Laureate Fellow, interdisciplinary artist, and a co-director of The Floating Museum. His art practice spans from the co-curation of The Chicago Architecture Biennial 5, This Is A Rehearsal, to written and performance works featured in national and international exhibitions, theater, festivals, and anthologies. He has scored Lise Haller Baggeson’s Hatorgrade Retrograde: The Musical, scoring Red Clay Dance’s Rest.Restore.Nourinsh.Move.Heal, and produced two albums, booker t soltreyne: a race rekkid and tubman. The latter is the soundtrack to his volume of poetry titled, neckbone: visual verses [Northwestern].
TIMOTHY DOUGLAS‘s (safronia Director) credits include The Color Purple (Signature Theatre, Helen Hayes Award), She Who Dared (Chicago Opera Theater), Champion (Boston Lyric Opera), Blue (New Orleans Opera), the premiere of Something Happened in Our Town (Children’s Theatre Company), Frankenstein (Classic Stage Company), and the Great Theatre of China production/tour of Disgraced. He has made productions for Arena Stage, Berkeley Rep, Cincinnati Playhouse in the Park, Cleveland Playhouse, Denver Center, Downstage New Zealand, Folger Shakespeare, Guthrie Theater, Juilliard, Kennedy Center, Mark Taper Forum, Milwaukee Rep, National Theatret Norway, Portland Center Stage, Red Bull, and Steppenwolf, among many others, including Yale Rep’s world premiere of August Wilson’s Radio Golf. www.timothydouglas.org.
About Court Theatre
Winner of the 2022 Regional Theatre Tony Award, Court Theatre reimagines classic theatre to illuminate our current times. In residence at the University of Chicago and on Chicago’s historic South Side, we engage our audiences with intimate and provocative experiences that inspire deeper exploration of the enduring questions that confront humanity and connect us as people.