Rivendell Theatre Ensemble (RTE), Chicago’s only Equity theatre dedicated to advancing the lives of women through the power of theatre, announces the world premiere of WIPEOUT by Aurora Real de Asua, directed by Rivendell Artistic Director Tara Mallen with movement direction by Ensemble Member Devon de Mayo. WIPEOUT runs February 17 – March 30, 2024, with a press opening on Wednesday, February 28 at 7pm. Tickets are now available at Rivendell Theatre Ensemble, 5779 N. Ridge Avenue in Chicago, (773) 334-7728 or www.RivendellTheatre.org.
Three retired best friends. One hotrod surf instructor. The currents of the Pacific Ocean. What could possibly go wrong? Set on surfboards, WIPEOUT is a poignant comedy about friendship, grief, and the unpredictable tides of life.
WIPEOUT tells the story of three women staring down the mouth of 70, friends for decades, who throw themselves into their first-ever surfing lesson with the help of a young instructor. As the women learn how to paddle and navigate the currents of the Pacific Ocean, they also learn how to navigate their friendships, their fears, and just how hard it can be to let it all go.
The cast of WIPEOUT includes RTE members Glenn Obrero and Meg Thalken, with Cindy Gold and Celeste Williams.
The creative team includes RTE Members Regina Garcia (Scenic Design), Victoria DeIorio (Sound Design), Devon de Mayo± (Movement Director), with Evelyn Danner (Costume Design), Michael Mahlum (Lighting Design) Angie Tillges (Surfboard Design), Andres Fiz (Projection Design), Tanya Palmer (Dramaturgy), Shannon Golden-Starr (Production Manager), Deya Friedman (Production Stage Manager) and Mia Maccarella (Assistant Stage Manager).
“As a young surfer, I'd be paddling hard, getting ready to catch my wave, only to find a blissed-out grandmother already hanging ten. That's what I love most about surfing. Anybody - any body - can do it. The ocean is our great equalizer,” comments playwright Aurora Real de Asua. “It has a way of revealing the truth, of disintegrating the boundaries we place around ourselves and each other. This play is my love letter to the joys of surfing, the power of the ocean, and the tenacity of female friendship. I am so thrilled to premiere this play with Rivendell and honored to be working with their fabulous, fearless artists.”
“In 2019, when Aurora first brought us WIPEOUT, we were immediately taken by the audaciousness of this young writer having so confidently penned a moving, thoughtful, and hilarious drama about a trio of first-time women surfers some forty years her senior,” comments Artistic Director Tara Mallen. “This production features the formidable talents of three powerhouse Chicago actors I have long admired. Bringing these dynamic actors together with our young and inspired playwright sets Aurora’s play on firm footing from the start as we launch this first stop on WIPEOUT's three-part Rolling World Premiere. I am deeply grateful to be in the room with this collective of absurdly talented artists, to have this wonderful opportunity to stretch, flex our creative muscles and grow as theater artists as we tackle the unique challenges this play brings.”
WIPEOUT is produced at Rivendell as part of a National New Play Network Rolling World Premiere. Other Partner Theaters are B Street Theatre, Sacramento, CA and The Gloucester Stage Company, Gloucester, MA. For more information, please visit nnpn.org
About the Artists
Aurora Real de Asua (playwright) is a playwright, filmmaker, and actor. Her plays have been workshopped at Williamstown Theatre Festival, the New Harmony Project, the Old Globe, the Playwright's Realm, Rivendell, the Chicago Children's Theatre, and Sideshow. She is currently working on a commission for South Coast Repertory Theatre. Her short film Heartsong debuted on Shorts of the Week and can be streamed at Mítu.tv. Acting credits include shows at Rivendell, Goodman, Court, Northlight, Victory Gardens, and American Players Theatre. She is also an ensemble member at Remy Bumppo. She holds a BA in theatre from Northwestern University and an MFA in film from Columbia University. In her spare time, you can find her surfing a longboard in Santa Cruz, California.
Tara Mallen (director) is an actor, director, producer and the founding Artistic Director at Rivendell. Most recently she was on stage as part of Rivendell’s Jeff Award-Winning Ensemble in Motherhouse. Other recent projects include Raven Theatre’s The Luckiest (Jeff nomination - supporting actor); RTE’s premiere productions of Spay, Laura and the Sea, The Cake (Jeff Award - Actor) Look, we are breathing, The Firebird’s Take the Field, Rasheeda Speaking, Crooked, Self Defense, and The Walls. Other credits include Sweat (Arena Stage), The Cake (Renaissance Theatreworks), and How Long Will I Cry (Steppenwolf), among others. She is the proud recipient of a 2017 3Arts Award for her work as a Chicago theatre artist. Screen credits include the upcoming feature film Ghostlight, premiering at Sundance Film Festival in January 2024; Dark Matter (Apple TV); Empire (Fox); Contagion (Warner Bros.); The Last Shift (Sony Pictures); Boss (Starz); Chicago Fire (NBC); Doubt (CBS/Sony Pictures); Chicago P.D. (NBC); and Sense8 (Netflix). For Rivendell, Tara co-conceived and directed the critically acclaimed World Premiere of Women At War, the Jeff-nominated Midwest premieres of The Electric Baby, 26 Miles (in co-production with Teatro Vista); Fighting Words by Sunil Kuruvilla; Psalms of a Questionable Nature ; the co-production of Elliot, a Soldier’s Fugue with Stageworks/Hudson; and the brief and brilliant Shady Meadows by Lisa Dillman as part of the 2007 Chicago Humanities Festival.
Cindy Gold (Gary) Recent Chicago area appearances include The Most Spectacularly Lamentable Trial of Miz Martha Washington (Steppenwolf Theatre), Christmas Carol (Goodman), Household Spirits (Theatre Wit), Indecent (Victory Gardens), Cat on a Hot Tin Roof (Drury Lane), Measure for Measure (Goodman), Awake and Sing (Northlight), Taming of the Shrew (Chicago Shakespeare), and at The Lyric Opera in Showboat and My Fair Lady. Regionally, Cindy performed at Asolo Theatre in The Cake, The Kennedy Center in Showboat and Daughter of the Regiment (where she shared a role with RBG!), in The Music Man with Glimmerglass Opera, both in New York and at the Royal Opera House in Muscat. Cindy won a Jeff award for playing Gertrude Stein in Frank Galati and Stephen Flaherty’s Loving Repeating. Recent TV and film: Ghostlight, I Used to Go Here, Work in Progress, Empire, Chicago Fire, and the pilot episode of TNT's Leverage. Cindy is a Professor of Theatre at Northwestern University.
Glenn Obrero (Blaze) was last seen in Scientific Method at Rivendell Theatre and is stoked to back as an Ensemble Member. Select theatre credits include: The Great Leap (Steppenwolf and Asolo Repertory Theatre), The Chinese Lady (Timeline Theatre), 20K Leagues Under the Sea (Lookingglass), Edith Can Shoot Things And Hit Them (Kitchen Theatre) and Letters Home (Griffin Theatre). Television credits include Chicago Fire (NBC) and Next (FOX). Glenn is a graduate of Savannah College of Art and Design with a BFA in Acting and represented by Gray Talent Group.
Meg Thalken (Wynn) is thrilled to be a recent new member of Rivendell! Upcoming credits: Judgement Day at Chicago Shakespeare Theater Spring 2024. Regional Credits include Becky Nurse of Salem at Trinity Rep, Steel Magnolias at Milwaukee Rep, Ripcord at Peninsula Players, Tribes at Actors Theatre of Louisville. Chicago credits include: Steep Theatre: Mosquitoes, The Den Theatre: Four Places* (Jeff nomination), Steppenwolf: Curious Incident of the Dog in the Nighttime, Domesticated, Goodman: Soups, Stews, and Casseroles, Route 66: A Funny Thing Happened at the Gynecological Oncology Unit, Victory Gardens: A View of the Dome, Guide for the Perplexed, Symmetry, The Long Awaited, Next Theatre: The Metal Children, Chicago Dramatists: I Am Going to Change the World, Travel Light: Laundry & Bourbon, Wisdom Bridge: Bagtime, TV Credits: Chicago PD, Chicago Med, Chicago Justice, Chicago Fire, Paper Girls, 61st Street, Shameless, Empire, Easy Abby, Detroit 187, ER, The Joan Cusack Show, Turks, Chicago Hope, Early Edition, EZ Streets, The Untouchables, Chicago Story, Jack & Mike, The Richard Speck Case and Through Naked Eyes. Film: Christmas Again, This Day Forward, Henry Gamble’s Birthday Party, Bad Johnson, Hannah Free, Check Please, The Company, U.S. Marshals, Poltergeist III, A Family Thing, The Babe, Class.
Celeste Williams (Claudia) most recently performed in Court Theatre’s production of Arsenic and Old Lace. Some of her work includes performances at: Goodman Theatre, Chicago Shakespeare Theater, Victory Gardens Theatre, Northlight Theatre, Next Theatre, Steppenwolf Theatre, Writers Theatre, New American Theatre, Seattle Group Theatre, Onyx Theatre Ensemble, and Milwaukee Repertory Theatre. Celeste is a 4-time Jeff Award nominee; a 3-time Black Theatre Alliance Award winner; and received a 2023 Black Excellence nomination for Outstanding Theatre Artist from the Black Arts & Culture Alliance of Chicago for her performance as Martha in Arsenic and Old Lace. Celeste was co-founder of Onyx Theatre Ensemble.
Fact Sheet
Title: WIPEOUT
Written by: Aurora Real de Asua
Directed by: RTE Artistic Director Tara Mallen
Featuring: RTE Members Glenn Obrero+ and Meg Thalken*+, with Cindy Gold* and Celeste Williams*.
Creative Team: Regina Garcia± (Scenic Design), Evelyn Danner (Costume Design), Michael Mahlum (Lighting Design), Victoria DeIorio± (Sound Design), Devon de Mayo± (Movement Director), with Angie Tillges (Surfboard Design), Andres Fiz (Projection Design), Tanya Palmer (Dramaturgy), Shannon Golden-Starr (Production Manager), Deya Friedman* (Stage Manager) and Mia Maccarella (Assistant Stage Manager)
*= Member of Actors Equity Association
± = RTE Member
Schedule:
Previews: February 17 – 24, 2024
Press Opening: Wednesday, February 28 at 7:00pm
Regular Run: February 29 – March 30, 2024
- Thursdays at 8:00pm
- Fridays at 8:00pm
- Saturdays at 4:00pm and 8:00pm
Special added performances include Tuesday, February 20 at 8:00pm; Sunday, March 10 at 3:00pm; Monday, March 25 at 8:00pm (Industry Night)
Tickets:
$39 General Admission
$17 Student, Educators, Military/Veterans, Industry (Limited quantity, first-come, first-served)
$28 Seniors
$49 Sponsor Admission (to help us pay artists fair wages by covering the full cost of a seat at the performance)
$94 Angel Admission (1 Basic Admission, plus helping to cover discounted or free tickets to people who need them)
Membership / Subscription
RIV Pass: $95 (see Rivendell productions and other events as often as desired)
Box Office: (773) 334-7728 or www.RivendellTheatre.org
Parking and Transportation: There is limited paid and free street parking in the area. The theatre is easily accessible via the Clark (#22) or Broadway (#36) bus and is a short walk from the Bryn Mawr Red Line L station.
About Rivendell Theatre Ensemble
Founded in 1994, Rivendell Theatre Ensemble advances the lives of women through theatre. Rivendell cultivates the talents of women artists—writers, actors, directors, designers and technicians—by seeking out innovative plays that explore unique female experiences and producing them in an intimate salon environment.
Rivendell employs women theatre artists, offers mind-expanding experiences with new voices and perspectives, and sparks dialogue and action on critical issues in the lives of women and their communities.
In our 25+ year history, Rivendell has earned 12 Joseph Jefferson Awards and nearly four dozen nominations. We are recognized as a national force in new play development and a home for women theatre artists. We engage about 200 artists and 3,000+ audience members each year through our mainstage season and new work development.
For more information about Rivendell Theater Ensemble, visit http://rivendelltheatre.org. Follow Rivendell on Facebook at Facebook.com/rivendelltheatre, on Twitter @RivendellThtr, and on Instagram at @rivendelltheatre.
Rivendell Theatre Ensemble is supported by generous grants from: SIF Fund at The Chicago Community Trust; Paul M. Angell Family Foundation; City of Chicago Department of Cultural Affairs & Special Events; The Elizabeth Morse Charitable Trust; Shubert Foundation; Illinois Arts Council Agency; The Gaylord and Dorothy Donnelley Foundation; The Field Foundation of Illinois; League of Chicago Theatres; Sarah and the 2 C Dogs; Amazing Edibles; Actor’s Equity Association.