SOUTH SHORE ARTS ANNOUNCES BLOCKBUST EXHIBIT, THIS IS IT: DOCUMENTARY PHOTOGRAPHY EXHIBITION EXAMINES FACETS OF AMERICAN LIFE

Creating Holiday Memories that Last A Lifetime || Opportunity Enterprises’ Angel Tree Program Captures the Spirit of the Season for Many

Creating Holiday Memories that Last A Lifetime || Opportunity Enterprises’ Angel Tree Program Captures the Spirit of the Season for Many

ART ON THEMART ANNOUNCES DERRICK ADAMS, YIYUN KANG AS FEATURED ARTISTS FOR 2023 PROGRAM | Additional Plans for 2023 Include Guest Curator Program

Steppenwolf Theatre Company, the nation’s premier ensemble theater company, is pleased to announce the appointment of PennyMaria Jackson as its new Director of Marketing and Communications.

Bishop Noll Institute Drama Club will present a moving and modern retelling of a classic Greek myth as this year’s fall play.

GOODMAN THEATRE’S A CHRISTMAS CAROL CELEBRATES 45 YEARS THIS HOLIDAY SEASON, STARRING LARRY YANDO AS SCROOGE IN HIS 15TH YEAR AND 10-YEAR-OLD VIKRAM KONKIMALLA AS TINY TIM, DIRECTED BY JESSICA THEBUS, NOVEMBER 19 – DECEMBER 31 | ***SPECIAL EVENTS AND PERFORMANCES INCLUDE THE ANNUAL GOODMAN TREE LIGHTING (NOVEMBER 19), A SENSORY-FRIENDLY PERFORMANCE (DECEMBER 14) AND A SPANISH-SUBTITLED PERFORMANCE (DECEMBER 18)***

World Premiere! Hell in a Handbag Productions Presents THE GOLDEN GIRLS: THE LOST EPISODES The Obligatory Holiday Special By Artistic Director David Cerda | Directed by Spenser Davis | November 26 – December 30, 2022 at The Center on Halsted

NOW PLAYING THROUGH JANUARY 15 | Broadway Playhouse at Water Tower Place
“★★★★★ This show has it all! Utterly excellent and brilliantly put together.” - BroadwayWorld
“★★★★ Four Stars of Fun!” - Geek Native
“A sure-fire hit” - British Comedy Guide
“Hugely Entertaining…guaranteed a good time. - Theatre Weekly

*** Recommended *** Sometimes directors have a vision for a new approach to a musical.  Sometimes it works, sometimes it fails   Porchlight Music Theatre’s production of Rent it didn’t just fail, it collapsed.  Rent was written as a rock opera about starving artists with all their angst and desperation.  It should be a little ragged, a little dirty, and a lot defiant.  This wasn’t.  Most of the songs were sung in one key – loud.  I really missed the emotion and nuance of Larson’s original score.  3 Spotlights